Музиката си е музика, стана
колко време стоиш без работа
заради, заради тоя лентяйския живот
Не става така
Разбирам те, млад си, живее ти се
обаче приеми някакъв друг живот!
Затвори се в твойта кутийка вътре
и виж за какво става въпрос
Ти не можеш да се сравняваш с богатите
Това са хора, задоволени със всичко
Наркомани, проституки, курви
боклуци, пари
Тя тая е наркоманка.
Това беше много сладко, да
(смях)
То не ти става тъжно, то ти
става направо жалко
Е тва е, т'ва е играта
Ами това е
Това беше
Това е краят
Всичко ще бъде наред.
---
"Edelweiss, it's Edelweiss, that's what we are called..."
"Music is music, but how long have you been without a job,
because, because of this lazy life, it doesn't work like that,
I understand you, you're young, you wanna live your life,
but you have to accept some other life
Shut yourself in your little box and see what it's all about
you cannot compare yourself to the rich
those are people who are satisfied with everything
drug addicts, prostitutes, trash whores, money
... she's a drug addict"
"That was very sweet, yeah... (laughter)...
It doesn't make you feel sad, it makes you feel pity"
"That’s it, that’s our game"
"Well that's it, that's it… that's the end…
everything's going to be alright…"
credits
from Nemesta,
released March 8, 2023
Music and lyrics: Nikola Nikolov
Music: Rosen Petrov
Music: Vasil Brakalov
Music: Zdravko Dochev
Music: Jaklin Dishliev
Electric organ: Tony Schnitter
Background vocals: Tony Schnitter
Background vocals: Denis Manev
Producer: Jesse Gander
Recording: Rain City Recorders
Mixing: Rain City Recorders
Mastering: Rain City Mastering
Mastering engineer: Stuart McKillop
Recording second engineer: Mariessa McLeod
Manager: Tony Schnitter
Booking agent: Nikola Nikolov
Percussion: Barry Higginson
Photographer: Denis Manev
Shout out: Nikolay Marekov, Nasko
Thank you: National Culture Fund Bulgaria
Ἡ εἰκών was an impressive debut, but way too short! Luckily, Ψευδομένη arrives to satisfy the urge for more of what made its precedessor hit hard and fast: some atmospheric moments (don't be deterred as this is still brutal, dissonant and disgusting to the core) and at the same time, J.L. is exploring longer tracks - e.g. my personal favourite - and implementing some cavernous lows. If there's one thing we can all agree on, it's most likely that this man refuses to stand still. What a pace! David Fischer
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